#billyduffy #thecult #rockfileradio
William Henry "Billy" Duffy (born 12 May 1961, Hulme, Manchester) is an English guitarist and songwriter, best known as the guitarist in The Cult.
He grew up in Manchester, where he began playing guitar at the age of fourteen. Duffy got his start playing in different punk line-ups in the late 1970s, but these earlier years were more notable for his introducing Johnny Marr (The Smiths) to the guitar and encouraging Morrissey to make his singing debut with Duffy in The Nosebleeds.
When the initial punk rock movement (led by the Sex Pistols) died out, Duffy eventually settled as guitarist for the moodier and more arty Theatre of Hate. He eventually met Ian Astbury (the frontman for gothic rock band Southern Death Cult) who was impressed with Duffy's playing and abandoned Southern Death Cult to start a new band with him. Together, they exploited the Southern Death Cult's success by calling themselves Death Cult. Despite some initial fanfare and a couple of singles, the band chose to shed the name in 1984 in favor of the shortened The Cult, as less artistically limiting.
As early as The Cult's debut single "Spiritwalker", Duffy began establishing a distinctive flanged sound with an offbeat choice of guitar, a mid 1970s Gretsch White Falcon.
Duffy helped change The Cult's sound into metal-blues for their third album, 1987's Electric, the credit for this change goes to producer and AC/DC fan Rick Rubin. Fresh from his work producing the Beastie Boys' debut album Licensed to Ill, Rubin gave both Duffy and The Cult a new musical direction.
Duffy moved to Los Angeles in 1988 with Astbury, where both remain. There, the two writing partners (with longtime bassist Jamie Stewart) turned to stadium rock and recorded Sonic Temple. The Cult reached a larger, mainstream audience, but the public's attention could not be sustained with their next album, Ceremony, at the dawn of the grunge age.
Following the 'Ceremonial Stomp' tour of 1992, Astbury pressured Duffy to return to their roots, with The Cult's The Cult album. This would ultimately lead to Astbury's departure from Duffy and The Cult in 1995.
During The Cult's four-year hiatus, Duffy played with Mike Peters of The Alarm in a project called Coloursound.
The Cult reformed in early 2006 and after playing several US concerts toured Europe.
source: wikipedia
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